(Poem #121)Luck Sometimes a crumb falls From the tables of joy, Sometimes a bone Is flung. To some people Love is given, To others Only heaven. |
Luck -- Langston Hughes
Beside The Point -- Stephen Cushman
(Poem #120)Beside The Point The sky has never won a prize. The clouds have no careers. The rainbow doesn't say my work, thank goodness. The rock in the creek's not so productive. The mud on the bank's not too pragmatic. There's nothing useful in the noise the wind makes in the leaves. Buck up now, my fellow superfluity, and let's both be of that worthless ilk, self-indulgent as shooting stars, self-absorbed as sunsets. Who cares if we're inconsequential? At least we can revel, two good-for-nothings, in our irrelevance; at least come and make no difference with me. |
It's raining in love -- Richard Brautigan
(Poem #119)It's raining in love I don't know what it is, but I distrust myself when I start to like a girl a lot. It makes me nervous. I don't say the right things or perhaps I start to examine, evaluate, compute what I am saying. If I say, "Do you think it's going to rain?" and she says, "I don't know," I start thinking: Does she really like me? In other words I get a little creepy. A friend of mine once said, "It's twenty times better to be friends with someone than it is to be in love with them." I think he's right and besides, it's raining somewhere, programming flowers and keeping snails happy. That's all taken care of. BUT if a girl likes me a lot and starts getting real nervous and suddenly begins asking me funny questions and looks sad if I give the wrong answers and she says things like, "Do you think it's going to rain?" and I say, "It beats me," and she says, "Oh," and looks a little sad at the clear blue California sky, I think: Thank God, it's you, baby, this time instead of me. |
Marginalia -- Billy Collins
(Poem #118)Marginalia Sometimes the notes are ferocious, skirmishes against the author raging along the borders of every page in tiny black script. If I could just get my hands on you, Kierkegaard, or Conor Cruise O'Brien, they seem to say, I would bolt the door and beat some logic into your head. Other comments are more offhand, dismissive - "Nonsense." "Please!" "HA!!" - that kind of thing. I remember once looking up from my reading, my thumb as a bookmark, trying to imagine what the person must look like why wrote "Don't be a ninny" alongside a paragraph in The Life of Emily Dickinson. Students are more modest needing to leave only their splayed footprints along the shore of the page. One scrawls "Metaphor" next to a stanza of Eliot's. Another notes the presence of "Irony" fifty times outside the paragraphs of A Modest Proposal. Or they are fans who cheer from the empty bleachers, Hands cupped around their mouths. "Absolutely," they shout to Duns Scotus and James Baldwin. "Yes." "Bull's-eye." "My man!" Check marks, asterisks, and exclamation points rain down along the sidelines. And if you have managed to graduate from college without ever having written "Man vs. Nature" in a margin, perhaps now is the time to take one step forward. We have all seized the white perimeter as our own and reached for a pen if only to show we did not just laze in an armchair turning pages; we pressed a thought into the wayside, planted an impression along the verge. Even Irish monks in their cold scriptoria jotted along the borders of the Gospels brief asides about the pains of copying, a bird signing near their window, or the sunlight that illuminated their page- anonymous men catching a ride into the future on a vessel more lasting than themselves. And you have not read Joshua Reynolds, they say, until you have read him enwreathed with Blake's furious scribbling. Yet the one I think of most often, the one that dangles from me like a locket, was written in the copy of Catcher in the Rye I borrowed from the local library one slow, hot summer. I was just beginning high school then, reading books on a davenport in my parents' living room, and I cannot tell you how vastly my loneliness was deepened, how poignant and amplified the world before me seemed, when I found on one page A few greasy looking smears and next to them, written in soft pencil- by a beautiful girl, I could tell, whom I would never meet- "Pardon the egg salad stains, but I'm in love." |