(Poem #189)Glow When I wake up earlier than you and you are turned to face me, face on the pillow and hair spread around, I take a chance and stare at you, amazed in love and afraid that you might open your eyes and have the daylights scared out of you. But maybe with the daylights gone you'd see how much my chest and head implode for you, their voices trapped inside like unborn children fearing they will never see the light of day. The opening in the wall now dimly glows its rainy blue and gray. I tie my shoes and go downstairs to put the coffee on. |
Glow -- Ron Padgett
What Do I Care? -- Sara Teasdale
(Poem #188)What Do I Care? What do I care, in the dreams and the languor of spring, That my songs do not show me at all? For they are a fragrance, and I am a flint and a fire, I am an answer, they are only a call. But what do I care, for love will be over so soon, Let my heart have its say and my mind stand idly by, For my mind is proud and strong enough to be silent, It is my heart that makes my songs, not I. |
Dreams -- Robert Herrick
(Poem #187)Dreams Here we are all, by day; by night we're hurled By dreams, each one, into a several world. |
At a Lecture -- Joseph Brodsky
(Poem #186)At a Lecture Since mistakes are inevitable, I can easily be taken for a man standing before you in this room filled with yourselves. Yet in about an hour this will be corrected, at your and at my expense, and the place will be reclaimed by elemental particles free from the rigidity of a particular human shape or type of assembly. Some particles are still free. It's not all dust. So my unwillingness to admit it's I facing you now, or the other way around, has less to do with my modesty or solipsism than with my respect for the premises' instant future, for those afore-mentioned free-floating particles settling upon the shining surface of my brain. Inaccessible to a wet cloth eager to wipe them off. The most interesting thing about emptiness is that it is preceded by fullness. The first to understand this were, I believe, the Greek gods, whose forte indeed was absence. Regard, then, yourselves as rehearsing perhaps for the divine encore, with me playing obviously to the gallery. We all act out of vanity. But I am in a hurry. Once you know the future, you can make it come earlier. The way it's done by statues or by one's furniture. Self-effacement is not a virtue but a necessity, recognised most often toward evening. Though numerically it is easier not to be me than not to be you. As the swan confessed to the lake: I don't like myself. But you are welcome to my reflection. |
Long Distance II -- Tony Harrison
(Poem #185)Long Distance II Though my mother was already two years dead Dad kept her slippers warming by the gas, put hot water bottles her side of the bed and still went to renew her transport pass. You couldn't just drop in. You had to phone. He'd put you off an hour to give him time to clear away her things and look alone as though his still raw love were such a crime. He couldn't risk my blight of disbelief though sure that very soon he'd hear her key scrape in the rusted lock and end his grief. He knew she'd just popped out to get the tea. I believe life ends with death, and that is all. You haven't both gone shopping; just the same, in my new black leather phone book there's your name and the disconnected number I still call. |